COLLECTION

Community Voices: La Alma, Auraria and North Side

Explore La Alma, Auraria and North Side, three neighborhoods in Denver, through the voices of eight storytellers deeply connected to these communities.

Created and curated by Lia Musante, this oral-history project brings together stories about murals, Chicana/o/x activism, community control, displacement, neighborhood change, intergenerational knowledge, and ways of remembering.

Explore the Stories ›

Emanuel Martínez’s mural Zapotec Designs, 1969. Photo courtesy of Lucha Martínez de Luna.

Mural Stories in Denver

Learn about some of the early murals painted in Denver by Chicana/o/x artists.

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The West Side’s Chicana/o/x Activism

Hear storytellers describe their experiences of the Chicana/o/x Movement in the 1960s and 70s

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Ms. Prieto (front and center) and her mother (behind, wearing a sombrero) clench their fists at a protest on the steps of the Capitol in the 70s. Photo courtesy of Cathy Prieto.
The La Alma Park Pool painted by Emanuel Martínez in 1970. Photo courtesy of Lucha Martínez de Luna.

Community Control as Resistance and Resilience

Learn how residents of La Alma and Auraria built their own systems for sharing power and exercising control within their communities.

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Casa Mayan’s History in Auraria

North of La Alma, Auraria residents experienced mass displacement in the 1960s and 70s. Listen to stories of Casa Mayan, a community gathering place and Mexican restaurant that thrived for decades before Auraria’s displacement and redevelopment.

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Mr. Alcaro’s grandparents stand on the front steps of Casa Mayan, next to a sign that reads “Dinners served from 4:30 PM til 9:30 PM Closed Tuesdays.” 1958. Photo courtesy of Gregorio González Alcaro.
A map of the La Alma Historic Cultural District, marking space with long-time residents’ transcendent attachments to the neighborhood. Adapted from City of Denver.

Ties to Space and Neighbors Amidst Gentrification

Hear long-time residents describe their experiences of and responses to changes in Denver’s West Side caused by urban development and gentrification.

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Sharing Knowledge and Power with Young People

Storytellers share lessons from their activism with young people, carrying knowledge and connections to La Alma and Auraria across generations.

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A young painter of the mural on Osage Street. Courtesy of Andy Mendoza.
Photos from the June 19th, 2021 “Day of the Unsung Warrior” event with the Brown Berets. Photos courtesy of Helen Giron-Mushfiq.

Ways of Remembering

How should the histories of the Chicana/o/x Movement and community organizing in La Alma and Auraria be represented and kept alive?

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Explore Lia Musante’s project zine

Kinship and Self-Determination in La Alma and Auraria’s Community Organizing

Read the Zine ›

Meet the Storytellers

Helen
Giron-Mushfiq

Andy
Mendoza

Gregorio
González Alcaro

Lucha
Martínez de Luna

Emanuel
Martínez

Karma
Leigh

Desiree Maestas
and Cathy Prieto

About This Project

My name is Lia, and from November 2021 until April 2022 I worked with a handful of long-time residents of La Alma and Auraria for this oral history project, where they discuss their experiences as a part of the neighborhoods, their past and current community organizing, as well as their desires and hopes for the future.

Above are descriptions and examples of what I and the residents see as major takeaways of the oral histories. La Alma and Auraria have a long and multi-layered history of residents connecting with one another in order to make-real their wants and hopes for the neighborhoods. Each storyteller’s unique experience and way of recollecting shed light on the multiplicity of histories surrounding La Alma and Auraria, but simultaneously, many stories share sentiments despite differences across generations and particular focuses in the communities.
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This project was part of my undergraduate thesis in Sociology and Revolutions, with the goal of it being useful to ongoing community organizing in Denver. As an uninvited White settler, I grew up on Susquehannock, Piscataway, and Nentego (Nanticoke) land on the East coast and lived on Ute and Cheyenne land at the time of this project. In many respects I am not from the communities highlighted here, and I sought to account for how this work and my

perspective can perpetuate oppressive power structures, and I hope to leverage my privilege toward storytellers’ goals for the neighborhoods. As someone passionate about local community organizing, I have a great deal to learn from these storytellers and want to be intentional in making space for complexity in their stories and perspectives.

This project was made possible by the eight storytellers who trusted me with their lived experience and knowledge, as well as their insight on the direction of this work. I am grateful for their compassion and willingness to share and guide me. I am also thankful that this project can live on here and be put in conversation with Colorado’s Chicana/o/x mural movement!
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To hear the stories and sentiments highlighted, listen along with this playlist of audio clips from the oral histories collected for this project:

Listen to the
Oral Histories

Oral histories conducted by Lia Musante in Denver, Colorado, 2021–2022. Part of Emanuel Project’s Mural Memory Archive.
Shared for public access and educational use. For reuse, contact Emanuel Project.

References

City of Denver Community Planning and Development. “Proposed La Alma-Lincoln Park Historic District.” City of Denver. Retrieved and adapted
May 3, 2022.

Fairhill & Co.. 2019. “La Alma Lincoln Park.” Denver, CO: Historic Denver, Inc.

Continue Exploring

We bring together mural-making, preservation, and storytelling to keep cultural memory alive and visible for our communities now, and for the future.

We bring together mural-making, preservation, and storytelling to keep cultural memory alive and visible for our communities now, and for the future.

©️2026 Emanuel Project Inc. All rights reserved. Please do not reproduce or reuse photographs, text, audio, or other website content without permission. Murals and artworks depicted remain the intellectual property of their respective artists unless otherwise noted.